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Conceptual Workflow: Conditional Encoding Part 2- Web and Distributed Encoding  →

Posted in Digital Asset Management, Encoding

Last week, we covered the concept of Conditional Encoding (KCM: Kammes Compression Methodology, still looking for investors) and you may have noticed that I put an odd node on the […] 

3D in Post: Avid vs FCP  →

Posted in Avid, Editorial, Final Cut Pro

Unfortunately, we’re looking at the lesser of 2 evils. No mainstream editorial platform truly understands 3D natively. Through trickery, masking, and video hide-and-seek, we can manipulate our editing platform of […] 

Avid 5.5 new features and what they mean to you  →

Posted in Avid

Kool-Aid!  Get your Kool-Aid here! Avid has unveiled the latest update to their editing suite family: Media Composer & Symphony 5.5, as well as DS 5.5.  Below are some of […] 

I bet I can save you hours of waiting in the edit bay  →

Posted in Editorial, Encoding

Pre-Rendering (transcoding your tapeless formats into NLE friendly codecs) can save you hours in the edit bay. Here's why.