Exhaustive test of several Mac encoding solutions of RED Footage to ProRes 422 HQ and Avid DNxHD 36 & DNxHD220.
Listen to the report from the NAB BuZZ: nabbuzzshow.com; Wednesday, 3pm show. Transcript: I came to NAB to submerge myself in all that is geek, and thus far I have […]
I am a Demo Artist & Post Production Workflow Consultant. WTF is that? Quite humbly, I’ve been told “Hey! You do what I wanna do!” or “I want to know […]
Beginning the audio edit of the post production sound process requires receiving the correct files and media from the editorial facility [...] I've created a document (as well as explanations) […]