Pre-Rendering (transcoding your tapeless formats into NLE friendly codecs) can save you hours in the edit bay. Here's why.
Unfortunately, we’re looking at the lesser of 2 evils. No mainstream editorial platform truly understands 3D natively. Through trickery, masking, and video hide-and-seek, we can manipulate our editing platform of […]
Exhaustive test of several Mac encoding solutions of RED Footage to ProRes 422 HQ and Avid DNxHD 36 & DNxHD220.
The post industry lives and dies around the concept of deliverables. What specifications have to met to appease the viewer, server, or engineer on the other end. Many times, just […]